GE2016-47B
The Birth of A Good Film
一部好電影是如何煉成的
一部電影以一種完整的姿態呈現在觀眾面前,沒有任何單一元素可以決定一部電影成敗。電影放映完畢曲終人散之時,極少有人會留心那滾動字幕中成百上千的名字, 殊不知每一部背後有無數人的努力以及來自相關業界的不同推手造就。 我們這次特邀彭浩翔導演,以電影產業鏈中扮演過多種多樣角色的「電影人」身份,與大家探討一部好電影背後的工作團隊和多種多樣的角色。


End scene. A great movie. Against the black background, tiny names in white come up from bottom pushing one another to the top. All these names, whatever roles they are, are the reasons why the movie is so great. We are glad to have invited Mr. Pang Ho Cheung, who has been many different positions in a film crew, to talk about the significance of different crew members working behind the lens.

 
Date: 24/2 (Fri) AMENDED
Time: 19:00 – 21:00
Venue: MWT1, Meng Wah Complex AMENDED
Language: Cantonese (Simultaneous Interpretation in English available)
Co-organiser: Creative Push

Enrolment at counters (for HKU students only) starts at 10:00 on 19/1 (Thu), at K.K. Leung Concourse.

Online registration (starts at 10:00 on 20/1 (Fri)):
For HKU students and staff: https://hkuems1.hku.hk/hkuems/ec_regform.aspx?ueid=47968
For public: https://hkuems1.hku.hk/hkuems/ec_regform.aspx?guest=Y&ueid=47970
Lecture 講座 (24 Feb 2017)
一部電影以一種完整的姿態呈現在觀眾面前,沒有任何單一元素可以決定一部電影成敗。電影放映完畢曲終人散之時,極少有人會留心那滾動字幕中成百上千的名字, 殊不知每一部背後有無數人的努力以及來自相關業界的不同推手造就。 我們這次特邀彭浩翔導演,以電影產業鏈中扮演過多種多樣角色的「電影人」身份,與大家探討一部好電影背後的工作團隊和多種多樣的角色。


End scene. A great movie. Against the black background, tiny names in white come up from bottom pushing one another to the top. All these names, whatever roles they are, are the reasons why the movie is so great. We are glad to have invited Mr. Pang Ho Cheung, who has been many different positions in a film crew, to talk about the significance of different crew members working behind the lens.


Registration:
HKU students and staff: https://hkuems1.hku.hk/hkuems/ec_regform.aspx?ueid=47968

public: https://hkuems1.hku.hk/hkuems/ec_regform.aspx?guest=Y&ueid=47970

Speaker(s) 講師: 彭浩翔先生 Mr. Pang Ho-cheung

Schedule:
Date Time Venue
24 Feb 2017 19:00 - 21:00 MWT1
Bio of Instructor(s) 導師簡介:
彭浩翔先生 Mr. Pang Ho-cheung
Since his directorial debut You Shoot, I Shoot (買兇拍人, 2001), Pang Ho-cheung has proceeded to become an all-rounded independent filmmaker, who is now also a producer, director and scriptwriter. Pang has directed 13 feature films that have garnered acclaim worldwide, including Best New Director and Best Screenplay at Hong Kong Film Awards, Best Asian Film at Oporto International Film Festival, and Mad Movie Award at Neuchâtel International Fantastic Film Festival. As a producer, his credits include 2010 Busan International Film Festival New Currents Competition entry Lover’s Discourse (戀人絮語), box office hit SDU: Sex Duties Unit (飛虎出征, 2013), as well as Berlin Film Festival Panorama Programme entry Dog Days (三伏天, 2016). His recently produced films include You Were Never Here (2015) as well as the Singaporean/Australian co-produced Apprentice (身後仕, 2016).
其他電影作品包括:
《大丈夫》(Men Suddenly In Black, 2003)
《公主復仇記》(Beyond Our Ken, 2004)
《伊莎貝拉》(Isabella, 2006)
《破事兒》(Trivial Matters, 2007)
《志明與春嬌》(Love In A Puff, 2010)
《維多利亞壹號》(Dream Home, 2010)
《春嬌與志明》(Love in the Buff, 2012)
《低俗喜劇》(Vulgaria, 2012)
《香港仔》(Aberdeen, 2014)
 
Co-organiser: Creative Push
Based in Hong Kong, Creative Push, a student-led organisation, aims at boosting competitiveness and professionalism of students who wish to work in Hong Kong creative industries. It shares academic resources and foster knowledge exchange in cooperation with Global Creative Industries Programme, School of Modern Languages and Cultures, HKU.